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In that period, he hasn’t once been transformed back into scientist Bruce Banner.
As if taking his cue from Hemsworth’s Thor, Waititi as director is always looking for an excuse for undercutting the darkest scenes with some comic business.
Spoiled by their upbringing and unaware of what wildlife really is, four animals from the New York Central Zoo escape, unwittingly assisted by four absconding penguins, and find themselves in Madagascar.
Determined to make her own path in life, Princess Merida defies a custom that brings chaos to her kingdom.
The result is that the film seems a bit of a lark and there’s very little sense of threat.
Even when Hela summons back a gigantic, slavering dog from the dead, this vicious mutt is far less terrifying than you’d expect.
It has been a difficult year for Hollywood with summer box office dipping in alarming fashion and the Harvey Weinstein scandal casting a shadow over the independent sector. Its New Zealand director Taika Waititi accentuates the comedy and brings plenty of energy to proceedings but the in-jokes and self-mocking humour can’t hide the fact that the action here seems little different from that in any other Marvel superhero film. The big departure here is that Thor goes through much of the movie without his beloved hammer.
This is the point at which you need a good Marvel superhero film to come to the rescue. He is also made to suffer the indignity of a haircut.
In combat kit, she looks the spitting image of Angelina Jolie’s Maleficent.
Strange is only seen for a minute or two and his function is simply to bridge a gap in the storyline and to fill up by magic Thor’s huge tankard of Scandinavian lager.
For a brief period, it is as if we are watching two separate films.
On one side of the cosmos, Thor is a prisoner of the softly spoken but very nasty Grandmaster (Jeff Goldblum), ruler of the planet Sakaar, who likes to stage gladiatorial contests and to burn his enemies to death with his big melting stick.
On the other, in far away Asgard, Hela is wreaking havoc.